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3 comments
Diana,
I guess I see the purpose of a historiography: sort of a “history of history” . It seems to me, though, that anyone working on a novel topic is going to have the same problem - there’s no history to write the history of.
The thought reminds me a bit of the patent process. Part of the information collected to apply for a patent is finding the “prior art": ideas and designs that already exist and/or have been patented. It’s used to prove that the idea for which the patent is being sought doesn’t already exist elsewhere.
In your case, maybe it’s useful to show the histories that border your topic - that define the hole that you’re trying to fill.
Dave
Yep. That’s the purpose. :)
That does mean I know how to do it any more than I did before, though. :|
I caught my adviser last night before he went to class, and he reassured me that even if I only have two pages, that’s okay and understandable, so long as I address the absence of my topic in existing historical treatments of temperance. Which I can do. Besides…whatever I send him, he will rip it to shreds (it’s his way of helping), so the sooner I get something on his desk to review, the faster I’ll please him.
The patent process sounds like the same nightmare, really. Proving a universal negative always is, isn’t it? :)
d
Diana,
Patent prior art is a two-edged sword. If you uncover substantially similar ideas that either have already been patented or are currently available to the public in an unpatented form, your idea is not patentable. However, if you can show that your idea is a logical but non-obvious improvement on an existing patent, your odds of receiving a patent are much greater.
Don’t get me wrong, the patent process is a nightmare. But it’s not the prior art search that makes it so. It’s the fact that scientists and engineers are interfacing with attorneys and bureaucrats.
Dave